The Thomson Foundation mobile journalism competition is a leading showcase for mobile journalism ('mojo') talent. In partnership with Mojofest – a global celebration of mobile content creators – the competition is now in its fourth year.
Each year, applications are invited from those who think they have what it takes to become the next mojo star. Applicants are required to submit a feature story or news report filmed and edited entirely on a mobile device, which excites, intrigues and surprises and demonstrates impact and creativity.
This year's competition attracted 145 entries from 50 countries, including Sierra Leone, Yemen, Kyrgyzstan, Ecuador, the Philippines and New Zealand. The growing number of entries each year from around the world demonstrates how the mobile phone has enabled a new generation of journalists.
This competition is now closed. For notification and updates on the shortlist and winner, sign up to our newsletter.
The mobile phone has enabled a new generation of journalists.
This competition is now closed. For notification and updates on the shortlist and winner for this year's competition, sign up to our newsletter.
Prize 1: The winner will receive a full mojo kit worth approximately €1,000, plus return flights to Galway, Ireland, five-star accommodation and tickets to Mojofest from 29-31 May 2018, a festival dedicated to mobile journalism and headed up by one of the most respected mojo voices in the industry, Glen Mulcahy.
Prize 2: Five runners up will also receive free access to Glen's popular mobile journalism online course from our Journalism Now programme.
1) Create a mobile journalism story, either a feature or TV-style news report with a run time of 2-5 minutes. The most important thing is that the story is shot and edited entirely on a mobile device (iOS, Android, Windows Phone, RIM Blackberry, etc) and that the video content is delivered in high definition.
2) The story must be produced by ONE individual and entries will be marked on the following:
Journalism: Originality and credibility of the story, demonstrating original research, effort and use of interviews.
Impact: Importance of the subject matter and the impact the story has achieved.
Uniqueness to medium: Innovative and appropriate use of mobile-recording techniques.
Storytelling: Clarity of the storytelling.
Technical quality: Technical quality of the production.
3) Entries should ideally be in English, however, other languages with on screen subtitles are acceptable.
Full terms outlined below.
See the competition-crushing podium toppers who stood taller, aimed higher and thought bigger and better with their smartphones in previous years.
Somali blogger Farah Abdi staged an overnight vigil outside government offices in Malta to film the plight of refugees sleeping rough to renew their ID cards. Her story won a change in regulations. She lives in Europe having fled Africa due to fear of persecution because of her transgender identity.
Yusuf Omar used mojo to produce a moving report on the nightmare of sexual violence in South Africa using Snapchat filters to film open and honest interviews with rape survivors. He continues his mojo work as the co-founder of Hashtag our Stories, which aims to empower local communities.
Armed with an iPhone and a hard hat, Spanish journalist, Leonor Suárez, went inside the silver mines of Potosí, Bolivia for her mojo story. As the tunnels grew darker and more claustrophobic, the air harder to breathe, Leonor reported on the harsh, life-threatening working conditions of miners.
Torera Idowu gave a moving first-hand account from the Lagos slum of Makoko as part of her entry. Despite never having recorded with a mobile device before, her short film shot on an iPad 3, highlighting Africa’s education woes, beat entries from much more seasoned journalists.
We invite an expert panel to sit in judgement over the entries each year. See this year's judges below.
For any queries relating to your entry for the Thomson Foundation mobile journalism competition, please email: email@example.com
The small print: